Wyatt Earp rides again?

This blog is focused on writing in general, indie books in particular and the overall process of publishing and marketing fiction books. On occasion I have gone off on tangents, not directly tied to that focus; but primarily my intent with the blog is to talk about the challenges faced by the indie author.

Maybe this is obvious, but I will state it anyway—the first and most important challenge for an author is writing a book. It begins with that first step in the journey; when you just have a hint of an idea for a book, way before you have written anything—when everything seems so clear.

I have this idea for a book. The primary character will be a retired city bus driver who has experienced a severe brain injury in an accident and now believes he’s Wyatt Earp. He goes from town to town driving his own small bus and becomes entangled in numerous intriguing plots, all due to the fact that the government has mistakenly identified him as a Russian foreign agent. The actual Russian spy was his room-mate at the hospital after his brain injury. The real Russian is also looking for the man, now known as Wyatt Earp, because he had overheard the secret plans that involved the capture of the President of the United States and replacing him with a body double.

That’s the synopsis and it sounds brilliant, don’t you agree, mom?

Yes, the original idea is always brilliant—an instant best-seller. Hello fame and fortune, I’m over here just waiting. Then you start to write. After some time; when you still have not finished chapter 1, you start to wonder about the story, maybe it needs a little fleshing out—or maybe, it should just be a short-story?

Writing is hard. Most of my books will run 65,000 to 75,000 words. That’s not a short-story. If it is a bad story, that’s way, way too long. When everything is going well for me, it seems the story almost writes itself—two, three even four thousand words a day; and I’m waking up early the next day because I can’t wait to get to it. If it is not going well—well, it just doesn’t go. Zero words per day for many, many days. But no matter your mood or how your mind is functioning (or not) that day, you’ve got to try to do something. I know when everything is going smoothly, writing is a joy, when it is going the opposite of smoothly, it is hell. Oddly, for some reason my best stuff happens when it’s going badly. Could be it’s because the story is at a challenging point, so the pressure and tension come into play creating stress, but also creative energy and focus. Probably nonsense, but I write my best when it feels like I’m full of doubt about my writing. Writing is a creative experience, and I think we know very little about how the creative process works.

Four Corners War has just been finished. This is the third book in the Pacheco and Chino series. I began this book in 2015. Got started and quickly became stuck. It was years before I returned. But during that time I never stopped thinking about the story. For years it was on my mind. I wrote other books during that time, but Four Corners War was always there—nagging me to come back. That is part of the creative process—the mind never lets you rest until you have finished.

Not all books are great or even good. With the huge number of Indie Authors writing books today; some of those books might even be bad—but every one of those books took effort. And in most cases it was a work of commitment, passion and love that generated that less than perfect masterpiece. I have great respect for people who are willing to put their creative efforts on display for others—not knowing what those others will have to say.

I’ve complained about the process of publishing, editing, cover design and, of course, advertising/marketing because those are things that have great impact on success or failure. And like most things in life, writing a book incorporates who you are and how you think about yourself—so failure is devastating. But the truth is—none of that matters. There is only one thing that matters; writing the book.

To finish Four Corners War, after many years of frustration and doubt, took only one thing—effort. All I had to do was write the book—which is what I did. Four years later.

Thanks everyone for being a reader!

What’s in a Name?

What’s In A Title?

Currently writing the first Hightower series book. Working title has been A Doctor Hightower Novel: The Case of the False Prophet. Maybe as a consequence of the writing going slower than I would like I’ve decided the series name and the title of the book are wrong. Yes, this may be akin to shuffling the chairs on the Titanic—but I’m going with a different name. For the series it will now be Hightower Chronicles and this first book will be False Miracle.

Could this possible matter at all? Okay, maybe this is just a smoke screen to hide the current delay in progress, but my honest answer is yes, it does matter. The second Vincent Malone novel was going to be about artists and the art business in Santa Fe. I envisioned some unique or possibly even odd characters populating this story of greed, lust and murder. I was looking for a clever title and decided on Blue Flower Red Thorns. Okay, nice words; but what the hell does it mean. Maybe it is allegorical referencing beauty and pain. Maybe it has no meaning and was designed to confuse and irate readers? Of course, that would be very stupid thing to do. Or would it?

The name could be a reference to a Shrek movie where the donkey is sent to search for a blue flower with red thorns—which he bemoans would be easier if he was not color-blind. Searching for a healing flower while you cannot see the difference does sound like something with lots of hidden meanings. Maybe it relates to the beauty of the great art produced by less than perfect people. The characters were seeking beauty but not seeing the ugliness in their midst. Could be.

Another possibility is from the Urban Dictionary: “a way of saying you don’t care about someone else’s current situation, or what they are trying to do, because you have shit of your own to take care of.”

That attitude would definitely fit the story line of some very egotistical self-absorbed characters. So there is the answer– it is a vague reference to something most people do not know that reflects the overall attitudes of several of the main characters.

The metaphor with the flower and contrasting thorn (no matter the color) fits the contrast between the beauty created by a talented artist and the challenge of a troubled person who is creating that art.

Now the question is; was that a good idea to name the book something that is at best confusing? I think the answer is no. If I had it to do over again I would choose something else. But I’m not changing the title—it is what it is. While I think my logic about the title had merit it was just to obscure to have general meaning to most people. I could have made the title Elephants and Rats and it would have meant as much to most.

I thought Blue Flower Red Thorns had some of the most interesting characters I have written about. Some of this inspiration came from my short-lived desire to be an artist. When I was young my ambition was to be an artist. I was talented but not exceptionally so—as a result I could have the dream, but the reality stayed far away. But my experience in the art world introduced me to people who more often than not saw the world through a different lens. The main character in BFRT is Ilse De Vries, one of the most talented contemporary artists in the world—all at an incredibly young age. She swoops into Santa Fe and creates a storm of not only artist expression but mayhem.

In ways maybe not obvious, all of the characters in Blue Flower Red Thorns referenced the contradiction in the title; sometimes nice, sometimes very nasty. Much like the art world in general.


Pre-Order Now!

The latest (and maybe last) Pacheco & Chino book, Four Corners War, is now available for preorder on Amazon. This book is definitely inspired by my personal experiences in Farmington, New Mexico. Much of my working career as a financial adviser was related to business acquisitions. One such experience in Farmington was especially memorable, and much of what I saw many years ago is the basis for FCW—although in the book it is enhanced to make it more interesting. Plus, a large portion of the story is just made up out-of-whole-cloth. It was great fun to write because of that past connection—but this book took forever; for various reasons. I enjoyed writing FCW but am also glad that it is done.