War and Prose

Recently I speculated that my father’s mother might have been a native American.  That was not based on anything factual but only on my own memories and assumptions.  I was wrong.  After I wrote that, I decided to investigate—using the internet’s vast resources.

I can now trace her linage back to England, not a mention of any native American connections.  Of course, that could also be wrong, but it is supported by documents and seems to be accurate within the limits of my short-term investigation. 

What does that mean?  Probably nothing.  It does not change anything regarding my memories or impact any claim that has anything to do with reality.  I was a teenager when my grandmother died. I only had a few memories of her, and this bit of data does not change those at all.

What it would change is my statement of a heritage that would explain my affinity towards Native American images.  Well, that now can be explained simply; I like ‘em.  Even if my heritage is English, Irish or something else—I like those bold, expressive images. (Although, those English family crests are not so bad!)

What was intriguing was all the last names going back just four generations: Hall, Pinkston, Hendrix, Combs, Morrow, Griffith, Glidewell, Howard, Kea, Young, Hamby, Cannaday and the next generation will add ten more.

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My good friend (and relative), Stanley Nelson, provided me with some gentle corrections to my last post.  He points out, accurately, that the tribes in Oklahoma were caught in a no-win situation with the increasingly difficult decision to pick a side in the hostile debate about slavery.

“Concerning the Civil War: the best historical evidence makes clear that leaders of each of the Five Tribes were recruited into the Confederacy via the “Godfather” method: either your brains or your signature will be on the declaration of alliance that marauding Secessionists from Texas had set down before you. The tribes had little choice because the Union had completely abandoned them, emptying its forts of troops and supplies, even after consenting with tribal leaders to leave helpful items like ammunition.”

Like almost all matters, the simplest explanation often loses the nuances that help us understand what occurred.  I’m thankful to Stan for his better explanation of the circumstances behind the Choctaw Nations agreement with the Confederacy.  He also provided me with an article by Zachery Cowsert appearing in “The Chronicles of Oklahoma” which covers in much more detail (yes, it is a few pages) this time leading up to the decision for the Choctaw Nation to sign their agreement with the Confederacy– which is attached to this post.

Why do we care about this obscured history?  Could be most don’t, but I find it intriguing.  Of course, this is research for my latest book, so it would be more important to me.  I do think one reason to care about history is to appreciate the complications that drive all historical facts.  Too often we are presented with a simple black and white version of history that ignores the more subtle underlining reasons certain things occurred. 

Our history is very much like our present time.  We know the simple, this is right and that is wrong, approach will often ignore the in-between solution, which breeds conflict.  History, if we examine it in detail, will guide us to a better solution in the present. 

My fiction writing does not require any examination of history.  In most of my books there was no research needed.  For this historical account of the Choctaw Nation in Oklahoma in the 1920s, it is vitally important—because if I don’t get it right, I will likely receive some not so gentle corrections from Stan.

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It’s been almost 4 years since I published a book.  Some of that time was, of course, not good for anyone; my issues were health and a lack of interest.  The lack of interest was due to declining sales of my older books (it happens to most authors—no new books and you are soon forgotten) and the writing was taking increasingly greater effort.

Writing is work.  I know that there are writers who can write a book a day (or so it seems), that is not my case.  The fastest I completed a book was about 4 months but that was unusual, mine are normally much longer.  The work part is when it is not going smoothly.  If you hit a rough spot in the story and are having trouble writing through it—that’s when you will abandon the whole book.  That’s what happened to me.  Four times, four different books.

Now will I finish something?  I don’t know.  But I am writing again and that is what fixes the issue.  This blog represents that need to write to be able to write.  So sorry, but this is practice writing, I hope it isn’t a burden.

Facts and Fiction

I write fiction.  Often those stories require research to develop background related to the times, or location or some event.  The research today is easy, although still time consuming.  I do remember the day when research involved untold hours in public libraries tracking down that vital piece of information that made the story come alive.  I confess, I loved the library time.  Being in a library was comforting.  I felt surrounded by humanity at its best. 

While I miss the environment of the library, I sure don’t miss the limitations.  The amount of information available at my fingertips sitting in my cluttered, but comfortable, office is just amazing.

I’ve had four projects going at once for years.  This struggle to complete one of them is on-going.  My current efforts are focused on completing the first book of a cozy mystery series Mr. and Mrs. Sims.  This is about a newlywed couple who moved to southeastern Oklahoma, which at one time was the Choctaw Nation, in the 1920s as representatives of Oklahoma A&M college.  The husband has a unique background, not only in agriculture, but in criminology—an entirely new field of study regarding the psychology of criminals as well as the science of solving crimes.

In 2022, I had these same four books as work-in-progress, and for reasons I can’t remember, decided I wanted to make them into audio dramas.  I have no background for this but what the hell, probably nobody would listen to them anyway. 

The two series that ended up with something in this area were the Mr. and Mrs. Sims Mystery and Vegas Dead End, which is an extension of my Pacheco and Chino Mystery Book series.  You can sample Vegas Dead End here.

Note: I have not finished Vegas Dead End (book or audio drama)—so the name is very appropriate.

As part of my research for Mr. and Mrs. Sims, I’ve examined many sources and documents related to the Choctaw Nation.  One that was particularly interesting to me was the Constitution of the Choctaw Nation written in January 1860.  It was interesting because of our bias towards Native Americans.  This constitution follows the model of the United States constitution but is done in a straightforward, no-nonsense style.  I do not know the parties who wrote it, or the circumstances that caused it to be written (need more research), but I was struck by how succinctly the document stated the matters at hand. 

At this point in time (1860) it is clear this document’s intent was something entirely different than what occurred for the Choctaw Nation as a separate, distinct, legal, and independent nation.   The real intent may have been hidden at the time, or something changed. 

Obviously, the big change was the civil war.  The Choctaw Nation had signed an agreement with the Confederate States of American that in essence made them allies.  When the war ended with the Confederacy defeated, so was the Choctaw Nation.  The US government, apparently, then considered all previous agreements null and void. 

The tone and words of the Choctaw Nation constitution in 1860 said one thing, but in only a few years, there was a different reality. 

That different reality is part of my story about this same area, now the state of Oklahoma, in the 1920s.  As a crime, supposedly committed by a Choctaw man, brings my character Ed Sims to Durant, Oklahoma, to talk to the Chief of the now subdued Choctaw Nation. 

As I said, I write fiction.  If any of my research discloses a reality that interferes with my story, I just ignore it—fiction writers can just make stuff up—it’s allowed.  Sometimes the real story is more interesting than the made up one, but the real story takes a lot more work; so, I will stick with fiction.

In case you’re curious, I’ve attached the 1860 Choctaw Nation Constitution.